Lance Oppenheim's feature debut, screening at the Venice Film Festival, dramatizes the controversial 'To Catch a Predator' series but leaves key ethical questions unaddressed, according to a Guardian review.
Mathilde Arcel says she was on unemployment benefits and had to report to authorities in Copenhagen shortly before winning the Volpi Cup
The Venice Film Festival award winner dedicated her prize to "the women of Iran," drawing condemnation from Iranian authorities and state media.
Egyptian-Danish director May el-Toukhy becomes the eighth female filmmaker to win the festival's top prize.
A new documentary by filmmaker Alex Gibney examines Elon Musk through interviews with former colleagues, ex-partners, his father, and an AI chatbot, according to a review from The Guardian's culture desk.
The German director, known for films featuring obsessive characters, told reporters he dislikes associating his protagonists with neurodivergence terminology.
Italian director Paolo Strippoli's film, praised as one of the standout entries at the Venice Film Festival, follows a wealthy family's bargain with a mysterious stranger.
The Guardian's film critic reviewed Affleck's third directorial effort, a multi-era anthology featuring Nick Nolte and Ben Mendelsohn, screened at the Venice Film Festival.
The Guardian's film critic says Florian Zeller's Venice debut, despite strong casting, fails to explore its themes meaningfully.