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Update: They know the house they are bombing is full of children’: NAZA’s directors on their devastating film about Israeli intelligence

A report from The Guardian — Culture sets out the main available details, with claims kept attributed to their sources.

· 2 min read · language: en

The Guardian — Culture has reported on “Update: They know the house they are bombing is full of children’: NAZA’s directors on their devastating film about Israeli intelligence,” presenting it as the central development in the source material available for this brief.

Rachel Szor and Yuval Abraham collected the testimony of 24 insiders who helped remotely target Gazans’ homes. The report also notes that They explain how they got these self-professed ‘small cogs’ to talk about the killing On a darkened rooftop in Tel Aviv, Israeli intelligence officers outline the details of their work. These men tell us how they helped develop an AI mapping tool that trawled for phone signals and recommended apartment buildings in Gaza to bomb. Indirectly, they admit, they are responsible for thousands of deaths, but they never spoke up because that wasn’t their place. “My role is technical,” states one. “I’m just a small cog,” states another. NAZA – directed by the Israeli film-makers Rachel Szor and Yuval Abraham and produced by the Guardian – is a chilling documentary about a mass slaughter that was authorised at the highest levels of government. But it is also, primarily, about the process, the system, the little links in the killing chain. Szor and Abraham build their film around the accounts of 24 anonymised military and intelligence insiders. NAZA, we learn, is an acronym used by the intelligence service to indicate how many civilians it expects to die in an airstrike on Gaza. The Israel Defense Forces prefer to target Hamas terrorists in their homes at night – and if they live with their family, or in heavily populated neighbourhoods, too bad. At one point, a source claims, approval was given to kill 500 NAZA for one Hamas member.

Any statements, estimates or characterisations remain attributed to the people or organisations identified by the source. The excerpt alone does not provide a complete documentary record or necessarily include responses from every party involved.

Official statements or subsequent reporting may add context as the story develops. For now, this account is confined to information directly supported by the provided headline and excerpt.

Sources

EGazette summarizes reporting from multiple sources; follow the links for the originals.

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