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Report: My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on

A report from The Guardian — Culture sets out the main available details, with claims kept attributed to their sources.

· 2 min read · language: en
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— The Guardian — Culture

The Guardian — Culture has covered a development concerning “Report: My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on,” with the available account limited to the facts included in the supplied text.

Boris Karloff’s daughter and composer Michael Shapiro, whose musical score for the 1931 film is finally coming to London, talk about how it became a much-loved classic Once seen, never forgotten – the 1931 Frankenstein is 95 years old, but still one of the most instantly recognisable of classic horrors. The report also notes that Whether it’s the sight of lanky Boris Karloff lumbering into the frame with his squared-off head, neck bolts and oversized leaden shoes, or the sound of a thunderclap and Colin Clive exclaiming “It’s alive!” as the monster comes to life one stormy night in the laboratory – the film still raises hairs on the back of the neck. However, this classic has arguably long been missing one element: a continuous musical soundtrack – the original movie had dialogue but no music. In 2001, the American composer Michael Shapiro wrote a full-length score, which he is expected to be conducting alongside the film for the first time in London next month, at Cadogan Hall with the Royal Philharmonic Orchestra. “It becomes one artistic expression, one artistic experience,” he states. “The film and the music, together, and the audience forgets that I am there.” Shapiro states his music emphasises what is already up on the screen. “Suddenly the film jumps out in a way it never did ahead of.”

Any statements, estimates or characterisations remain attributed to the people or organisations identified by the source. The excerpt alone does not provide a complete documentary record or necessarily include responses from every party involved.

Official statements or subsequent reporting may add context as the story develops. For now, this account is confined to information directly supported by the provided headline and excerpt.

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