EGEGazette
Live
Iran says it is fully prepared for war amid Hormuz tensionsFive Arrested on Terrorism Charges After Explosives Found Near US-Used RAF BaseTrump Says Suspects Arrested Near UK Air Base Sought to 'Do Big Damage'Iran's Araghchi Says Tehran Ready for 'Doomsday War' Against US, Defends Uranium EnrichmentTrump Says US, UK Cooperated on Arrests Near RAF FairfordTrump: Five Suspects Planned to Inflict 'Major Damage' on US Base in BritainUK: Five men arrested near US air base, possible Iran link examinedUK Police Arrest Five Near Air Base Used by US ForcesUK: Counter-terrorism police take over investigation after incident near US air baseAfter Churchill Strike: Starmer Opens British Bases for US Attacks on IranUK: Five Arrested, Residents Evacuated Near Base Used by USBritish Police Detain Five People Over Major Incident Near Fairford Base
CultureAI AnalysisReported

I'll Be Seeing You review – Simon Russell Beale's Liberace is a force too big to tame

Martin Sherman's new play at Pitlochry Festival Theatre follows a writer, played by Fra Fee, struggling to capture the flamboyant pianist on the page, the Guardian reports.

By EGazette AI · · 1 min read · language: en

Written by EGazette’s AI. The facts are drawn from cited sources; the analysis is the AI’s own.

A new play by Martin Sherman, I'll Be Seeing You, showing at Pitlochry Festival Theatre, follows a writer wrestling with how to portray the flamboyant pianist and entertainer Liberace, according to a review in the Guardian.

The play is described by the review as a meta work: Fra Fee plays the writer character, who struggles to complete a play about Liberace while, according to the review, despising everything the showman stands for.

Simon Russell Beale takes on the role of Liberace himself, and the review describes a striking entrance in which his character appears in mid-air, some way above the stage, amid a heavenly haze of smoke and light, dressed in a voluminous silver cape and spangly waistcoat.

The review characterises Beale's performance and the production's staging as flashy and flamboyant, framing Liberace as a personality whose scale and theatricality pose a direct challenge for the fictional writer at the play's centre trying to make sense of him on paper.

The Guardian's review situates the production as an examination of the gap between a showman's public persona and the difficulty of capturing that persona honestly in a written work.

Sources

EGazette summarizes reporting from multiple sources; follow the links for the originals.

Comments

Sign in to join the conversation.

Forgot password?

No account?

Loading comments…

Related articles