Critics note Ronan's performance as a standout in a black comedy about a teacher who takes extreme measures against a disruptive pupil, though the film's satire is questioned.
A new film blends archive footage and interviews with concert scenes from Pulp's 2024 O2 shows, charting frontman Jarvis Cocker's decades-long journey to pop success.
A Guardian film critic says the new Netflix comedy follows a familiar campus-comedy formula but stands out for its pace, humour and dance choreography
A Guardian critique of the 1995 film, scripted by Hayao Miyazaki, frames the teen romance as an early exploration of the artistic life that later shaped his acclaimed later works.
An Israeli animated feature, eight years in the making and finished in 2021, uses painted still images and voices including Oscar Isaac, Evangeline Lilly and Elliott Gould to depict the first-century revolt against Roman rule.
Lance Oppenheim's feature debut, screening at the Venice Film Festival, dramatizes the controversial 'To Catch a Predator' series but leaves key ethical questions unaddressed, according to a Guardian review.
Director Miro Remo's film, narrated by a slaughtered bull, chronicles the daily life of brothers Franta and Ondra Klišík in a remote mountain cabin, according to a review published by The Guardian.
Critic says microbudget spy thriller starring Jeanine Nerissa Sothcott lacks tension despite a cast that includes Ian Ogilvy and Roger Moore's son Geoffrey.
Italian director Paolo Strippoli's film, praised as one of the standout entries at the Venice Film Festival, follows a wealthy family's bargain with a mysterious stranger.
Critic finds Scott Waugh's action flick 'Runner' leans into gonzo stunt work and tongue-in-cheek humor, even as it marks another attempt by faith-based distributor Angel Studios to enter mainstream entertainment.
Director Kirsty Bell's "Don't Forget Me" marks the first feature-length biographical documentary on rock'n'roll musician Eddie Cochran, according to a review published by The Guardian.
The Guardian's film critic reviewed Affleck's third directorial effort, a multi-era anthology featuring Nick Nolte and Ben Mendelsohn, screened at the Venice Film Festival.
A Guardian film critic finds the long-awaited follow-up to the 1998 cult favorite retains its odd charm, even as it leans heavily on nostalgia.